ROMANIAN ORIGINS (III)
PELASGIAN SYMBOLISTICS
Whereas, according to a foremost
authority in Romanian early history, namely the professor Nicolae
Densusianu (whom he have quoted more than once along our studies),
an ancient so called Pelasgian population had once supposedly
"constructed" what requires to be considered as pre-historical
Europe's largest and strongest Empire, by enlarging its boundaries
from Sahara deserts to as far as Norway's mountains, it looks
like they didn't leave, unfortunately, anything behind in written
form, in order to prove their glorious past, with the exception
of some ruins and stones full of weird scribbles, about which
nobody has ever thought to see whether any of these might actually
bear a hidden meaning, or not.
One fact remains, yet, for
sure: through centuries of running across the vast European plains,
until their culture and language became, finally,
widespread, the Aryans, Pelasgians or Thracians (you choose to
name them) were to slowly generate afterwards "Latin
culture and civilization", a fundamental basis for
the upcoming expansion of the Roman Empire... As always, behind
an universally-acknowledged great historic culture is to be found
another one, going usually unobserved or in the former's shadow,
becoming forgotten, neglected or simply ignored. So, which has
been, in our case, this older culture or, otherwise said, civilization
lying behind the Greek and Latin ones?? Very far
away, somewhere in the World, on the vast plains of Asia, yet
more exactly in India an Aryan civilization was to "invade"
a long time ago, like some 4-5 thousand years back, only to generate
a genuine "explosion" that would prove to be not just
cultural, but also social. Indian people nowadays still remember
about those "Aryans", mainly as a white Caucasian
population overlapping the local, negroid one and who, out of
some "racist" desire not to physically mix up with the
land's residents, were to establish four so called "Casts"
(namely, social classes), whereas themselves representing the
leading one, that of "Brahmans", white people.
The Vedic culture,
considered until today as being the oldest to be officially
known on Planet Earth, and from which are also drawing origins
the Chaldean, Judaic and Christian ones, is to be
itself regarded as having a starting point within... the Carpatho-Danubian
space, and the fact has been firstly stated not by the Romanian
historians, yet by those from Cambridge University- Great Britain,
as well as by several American-born experts. And that, not for
like 5 or 10 years, but for more than a century! Unfortunately,
we cannot recollect ourselves to have been told by "our"
communist historians about ANY remote possibility that the VEDIC
CULTURE WOULD HAVE ORIGINATED FROM US... Has anybody among Romanians
ever heard of it?!
Therefore, we have to often
scrutinize the historic perspective through "looking as into
a car's rear mirror", when taking the glance backwards actually
might help us, as a result, to better go forward, observing, thus,
a specific civilization's effects upon others and decomposing
it by sight. It is hard to imagine searching for the traces of
that huge pelasgian civilization in
the center of Asia,
during a pre-historic period with no written literature (at least
not found yet!), no chronicles, but just whatever was left in
the "spoken literature"
the vedic one.
Not long ago, while talking
to a friend of mine, R. Cristian, about the relation between thracians
and sanskritics , he told me: "
years ago I was in
one of the hidden temples in Tibet, getting used to the local
religion and I was surprised by the reassembling of their words
with the Romanian ones
nobody in the whole world , no people
has the word "OM" (man).
Helena Petrovna Blavatsky
(1831-1891) in her "Secret Doctrine" - a synthesis of
the science, religion and philosophy - says about those "pure
aryans", whose traces you can find all over the place in
Europe, traces brought to light by Dr. Schliemann from the ruins
of Troja: signs and symbols engraved on stones, cups and objects,
ignored or not understood or just considered some simple ornaments
but to whom our ancestors have given mystic senses (connected
to that Architect of the Universe), senses that can be still found
inside isolated, forgotten cultures.
In the summer of 1995 I was
travelling in the Orient and I made a stop in the Bali island
of the Indonesian Archipelago ; its Hindu population was living
in a stage forgotten by hundreds of years, |NCHININDU-SE??? to
Gods and Goddesses from a fairy-tale world and building a lot
of strange and colored ornamented temples having swastikas drawn
on stones; this population is living within a spiritual world
full of unknown superstitions for us, that reminds me of ours,
thracic, where a simple drawn or wooden SAPAT had a certain meaning
and by adding to the middle a point, a line or a cross, the whole
meaning was changed.
Inside this diffuse universe
of forgotten religions, lost or actual, where the pre-historic
is invading our present with strange symbols, where we can discover
our forefathers, the aryan pelesgians, spreading all over Asia
their vedic culture that renews there, far away or over the roads
in Asia Minor, over Egypt or Chaldea and creating the sacred and
occult in Babylon
it gives you the impression of a match
burning inside a powder-gun warehouse, old and forgotten, but
still being able to explode.
Who were those Aryans, pelasgians,
thracians
what forgotten places of the world
or our
country will the archaeologists discover someday their spiritual-symbolistic
past that we can see today only as reflections of some images
into the historical mirrors of other nations they came in contact
with!
THE PELASGIAN-ARYANS' SYMBOLISTIC
The simple circle - we can
find it today sculptured on the gates of the Romanian peasant's
yard or under the corners of the houses, drawn or multiplied
What should it mean? Have you ever thought that 5-6 thousand of
years ago it meant something?
The circle is a divine unit
where from everything starts and
ends. It is the unlimited
universe, the emanated energy of the supreme God, Gebeleizis;
its circumference is sometimes seen as the mental silence of the
human being. When the face of the disc is of white color, the
black background could represent the great breath, the continuous
movement of the universe in an unlimited sense.
The circle with a median point - in the Rig-Veda Aryans faith it represents the first difference in the eternal cyclic happenings in nature, unisex and infinite.
That's the way our forefathers saw it more than five thousand years ago.
It was so easy for the ancient Greek philosophers to "transfer" this culture and translate it into Greek!
The circle with the median
point also represents within the Aryans' culture the potential
space in contact with the abstract space. It also means the resurgence
of the nature, the wake-up of the universe, being an Universal
sign found in KABALA too.
When the ignorant Christians
of the universal symbolism took it, they mistaken it with "MUNDANE
CROSS" (WORLD'S CROSS).
What do you say, dear reader,
shall we continue our voyage through the symbolist world generated
by our forefathers?
The circle where the central
point is transforming, expanding to a diameter seems to symbolize
the IMMACULATE DIVINE, MOTHER NATURE. It is sometimes considered
as a shadow, a hint to the procreation.
When the line is vertical
the circle represents the separation of the sexes (could the great
sculptor Brancusi have known this symbol?
who knows?). It
is a more feminine sign, the human knows better his mother than
his father (nature and somehow some spirits are being considered
of feminine gender).
Things start being complicated
when the central point extends to the four cardinal points, forming
the controversial so-called WORLD'S CROSS (MUNDANE CROSS).
At this moment it is to be
considered the world has reached the level of the third race,
being "the signal for the beginning of the humans' life"
(could it be also a Lemurian sign?); it symbolizes the pure PANTHEISM,
the doctrine that considers the Supreme Deity being the forces
and laws of the Universe, from this point of view being thus more
like a "faith". Could this be a symbolism thousands
of years old? Almost we can not believe it! Even today our grandmothers
at the countryside draw it on the knot-shaped bread and sponge
cakes, although it has a changed meaning; for the mystic Christians
it is the symbol of "the union of the thorns and the cross",
the withered rose thorns crown on Jesus Christ's head: "The
Union of the Rose and Cross" or "Rosi Cruciati"
(Rose Cross).
When the circle disappears
the symbol also changes its meaning: the world is changing - some,
the tiluthens consider it as a fourth race emerging symbol
But the cross, not circumscribed, sometimes becomes a "phallic"
symbol. Later on, in history, it is going to be a representative
symbol of the Christianity, when the latter will appear.
Surprise, the central point sometimes spreads only in three cardinal points, meaning "TAU". We can not believe the same story about Noe and the Flood from The Bible will be discovered also to the Chaldeans, this time a few hundred years before Christianity, having XISUTHRUS as a hero But the Chaldeans also took this story from the Aryans ; VAIVA SWATA MANU's allegory is talking about the Flood and the adventures of the main character.
Should we not believe the
Phoenicians now that were accusing the Chaldeans, Egyptians and
Israelis for building their culture based on the mysterious Aryans'
one?
Thor's Hammer or Jaina Cross
or just Swastika inside a circle
The Hermetic Cross. Being
separated of the circle it also has a "Phallic" meaning:
it represents the most philosophic science of the symbols and
the most complex form of labor of creation and evolution, of renewing,
deep hidden inside the religion of any old civilization.
"The Numbers' Book" and "The Hidden Mysteries Book", belonging to the Chaldeans (Civilization born between the two big rivers Tiger and Eufrat - where is today's Iraq, Babylon City as the dominant city of the Ancient World) also talk about Thor's Hammer as a magic weapon used by the dwarves fighting against the giants or against the pre-Cosmic Titanic forces of the Nature. Hammer of creation, having the four arms bend in rectangular angles suggesting the continuous movement, the revolution of the invisible Cosmos and its forces, the two middle lines representing the Spirit and the Matter, while the bent arms (one upward-representing the Cosmos and the other one downward-the Earth) are being linked through Spirit and Matter.
The Swastika sign, with respect
to Blavatsky (vol. 2, page 69) is born in the mystic conception
of the early Aryans (Pelasgians) and placed by themselves as a
sign of Eternity, being found on Ananta's head, it is the Alpha
and Omega of the Creative forces of the Universe from the pure
Spiritual force to the Material one, it is the key to the Scientific,
Divine and Human cycles. It is to be taken later also by the Great
Masters of the Masonic Lobby.
Schliemann, while digging
in the ruin of Troja, brought out to light objects containing
strange and "nonsense" ornaments, but he was actually
reviving the Pelasgic tradition of the oldest Aryans, symbols
older than fifty centuries, about whom also N. Densusianu says
in his "Prehistoric Dacia" (1884), mentioning the Phoenix
Bird that was coming from Northern Egypt to die in the Cerna Mountains,
to renew again from its own ash. It had this sign in its beak
as a sign of forever life and eternity.
When "TAU" gets
down, tangent to the "South Pole" of the circle, we
discover the Emblem of life, the same way we will find it later
at the ancient Egyptians.
World's Cross, Mundane Cross,
getting partially down outside the circle will symbolize Venus
(Isis) at the ancient Greeks.
Kali Yugo's symbol is an esoteric
one - the inverted star in five points; it is a "sorcerer"
sign for using in a good manner the power received from an evil
Spirit. The two upper feet are pointing to the Heaven - it is
also an occult sign often used in magic ceremonies.
Most of the above described
symbols can be met today all over Romanian territory, sculptured
on the gates of the houses, placed discretely on the corners of
the houses, on pots or rugs, but their meaning is still unknown
for us in most of the cases. Will they continue to be still some
mysteries?
Or WE will look for them and interpret now?
They are not "ornamental
little flowers" anymore, they are symbols of our spiritual
culture of more than fifty centuries ago. Let us look for them
Let us understand them
Let us respect them